She Knows How to Make Speeches Sing

Concert musician, speechwriter and speaking coach Mette Hรธjen brings all her backgrounds to bear in her new book, "Business Rhetoric."

Review of Business Rhetoric: How to Turn Your Words Into Goldย (2018; 175 pages).

Four years ago, at the Professional Speechwriters Associationโ€™s inaugural meeting at New York University, Mette Hรธjen gave a novel talk on what executive communicators can learn from musicians. A corporate communications advisor based in Copenhagen, Denmark who has studied rhetoric and music, Hรธjen provided the PSA audience with both inspiration and out-of-the-box thinking. (This reviewer remembers her presentation, and very much enjoyed it.)

Business Rhetoric, Hรธjenโ€™s new book of tips, tricks and exercises for those who want to improve their leadership communication skills, expands on some of the themes of that 2014 talk.

The book highlights how the need โ€œto convince other people and convey a messageโ€ is universal, whatever sector of the economy in which one works. Hรธjen also points to how the โ€œrhetorical performancesโ€ that take place in corporate settingsโ€”speeches, sales presentations and so onโ€”can be improved via insights derived from the world of musical performance.

Hรธjen allows that this may appear to be a โ€œparadox.โ€ She explains that while musical performance is perceived as a โ€œsoftโ€ world, while business and executive leadership communication represent a supposedly โ€œhardโ€ reality in comparison, itโ€™s the musicians and conductors who are โ€œjudged much, much harderโ€ than any CEO or senior executive, at least when it comes to the impression they create with audiences.

She further observes how musicians are held to very high expectations around โ€œdiscipline, training, collaboration and communicating a vision,โ€ even by non-musicians. Almost anyone can recognize when a note is played off-key, for example (even if oneโ€™s musical training ends somewhere after โ€œDo-Re-Miโ€).

But people usually do not, as Hรธjen writes, bring โ€œthe same ruthless focusโ€ to bear when judging speeches in the workplaceโ€”even if we regularly endure keynotes, panels, townhalls and other โ€œcommunicationโ€ exercises that sink without a trace, failing to make a single lasting impression.

Hรธjenโ€™s book provides a roadmap for those who want to avoid playing bum notes in their next corporate rhetorical performance. This book will help presenters and speakers think beyond their scripts and talking points, to topics such as physical settings, the need to outline any remarks in advance and how one needs to practice, practice, practice all aspects of performance to deliver a speech well. (That includes advice on breathing, body language, controlling any nervousness and so on.)

The emphasis on practice and preparation reflects Hรธjenโ€™s musical background. Her formal background in rhetoric comes through in the bookโ€™s insistence that speakers anticipate the counter-arguments to whatever actions or decisions their remarks are intended to advance, and reference those counter-arguments in their speeches.

While trying to shift an audience from one point of view to another on some issue, Hรธjen observes, a speaker will fail by merely overloading an audience with information. Persuading others through a speech requires engaging with the objections some in the audience may have to what the presenter is proposing, and gently refuting the naysayersโ€™ arguments.

In politics and in law, this all standardโ€”but in corporate settings, particularly when employees are the audience, many senior leaders see persuasion as an alarmingly high-stakes proposition (or perhaps a pointless choreโ€”โ€œIโ€™m the boss, arenโ€™t I?โ€).

Rather than readily addressing objections and disarming them, the people at the top of the corporate hierarchy may prefer to play it safe, rely on their positional authority and emit โ€œan overwhelming number of empty words,โ€ as Hรธjen writes, leaving listeners cold and unresponsive.

Hรธjenโ€™s timely book is as much a call for rhetorical courage as it is a collection of very useful advice. And as she shows, exercising courage is just like playing an instrument or learning a particular piece of musicโ€”and becomes easier the more you are willing to practice it.

You can learn more about Mette Hรธjen via http://businessrhetoric.com/.

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