From ‘Word Donkey’ to ‘Fireman’: A Speechwriter’s Life

In his memoir, former Nixon/Reagan speechwriter Ken Khachigian says, "You can't learn speechwriting from a book."

Review of: Behind Closed Doors: In the Room with Reagan & Nixon by Ken Khachigian (Post Hill Press, 496 pages, published July 2024)

From 'Word Donkey' to 'Fireman': A Speechwriter's Life

In his magisterial memoir, former White House speechwriter and Nixon/Reagan confidant Ken Khachigian humorously designates a portion of a political scribeโ€™s career as the โ€œWord Donkeyโ€ stage. A word donkey is the cool-headed, rapid-fire writer who everyone turns to when no one else is really sure (or wants to volunteer) what a politician should sayโ€”like in 1980 when, aboard Ronald Reaganโ€™s presidential campaign plane, Khachigian was given less than two hours to completely re-write a Reagan speech in light of a late-breaking statement earlier in the day by then-President Jimmy Carter.

Intensifying the pressure further as he sweated over his typewriter, Khachigian adds, was the moment when โ€œMrs. Reagan visited me to ask in a flat, icy voice, โ€œWhy doesnโ€™t Ronnie have his speech for the next stop?โ€

Khachigian got to work and created a speech that, after Reagan delivered it, was excerpted on all three main TV networks that evening. โ€œEvery speechwriter,โ€ adds Khachigian, โ€œwill appreciate my airborne episodeโ€”with the candidate, candidateโ€™s wife, and entire entourage awaiting the end results of oneโ€™s brain searching to transmit magic words to oneโ€™s fingers in an atmosphere of chaos at thirty-five thousand feet under time constraints. The classic test for the Word Donkey.โ€

Another step in a speechwriterโ€™s rise involves reaching the โ€œfiremanโ€ or โ€œfirefightingโ€ phase. Thatโ€™s when enough trust has accumulated, as Khachigian explains, for a speechwriter to be brought in โ€œeither to complement the presidential staff โ€™s efforts or engage directly in rescue missions [intended to salvage troubled speech drafts] on short notice.โ€ Examples from Behind Closed Doors include Khachigianโ€™s efforts to help Reagan shore up faltering Congressional Republican fortunes in 1982, or the speech he wrote for President Reaganโ€™s closely-watched 1985 visit to a military cemetery in Bitburg, West Germanyโ€”or Khachigianโ€™s role in the White Houseโ€™s efforts to tamp down the PR storm that followed the Iran-Contra revelations in 1987.

Born into an Armenian-American farming family in Visalia, CA, Ken Khachigian was a law student at Columbia when he volunteered in 1967 for Richard Nixonโ€™s  presidential campaign, taking the first steps towards his eventual emergence as a key GOP scribe and political strategist. Khachigianโ€™sBehind Closed Doors is a sweeping memoir that begins with Nixonโ€™s final days in office (which Khachigian witnessed as a Nixon White House staffer), covers his extensive post-White House work with Nixon, and then continues through Khachigianโ€™s years as a top Reagan advisor. 

The bookโ€™s overall emphasis falls firmly on Khachigianโ€™s collaboration with Ronald Reagan on key speeches and statements. For example, Khachigianโ€™s chapters on the 1980 Reagan campaign draw on an approximately 35,000-word, previously-private diary he compiled during those crucial months โ€“ enriching this memoir with a first-person, deep-in-the-backrooms perspective on Reaganโ€™s successful White House bid. 

In addition, many of Khachigianโ€™s chapters on the Reagan White House years quote from a stream of previously-unpublicized occasional letters and memos on political tactics and strategy through which Richard Nixon, via Khachigian, shared his perspective with Reaganโ€™s team. 

Another noteworthy thread in Khachigianโ€™s narrative includes reflections on what experiences or talents political speechwriters need to succeed.  For example, a Reagan White House colleague asks him โ€œif there was a book on speechwritingโ€ to help him learn the basics.  Khachigianโ€™s response:  โ€œโ€™[Y]ou canโ€™t learn speechwriting from a book. Thereโ€™s no book like that.โ€™โ€ 

To flourish in their chosen roles, Khachigian advises, political speechwriters need to understand the โ€œsubtlety, creativity and poetry involved in reading political movementsโ€ and in โ€œtranslatingโ€ all this into โ€œcontent, tenor and spirit that move individuals to act or refrain from acting.โ€ They also need โ€œan ear for political rhetoric,โ€ and a โ€œsense of how to connect with voters.โ€

Where should one go to learn these things, if they cannot be absorbed though books? To Khachigian, much of this curriculum can be profitably studied through direct involvement in the โ€œsuccessful execution of arduous political campaigning.โ€ 

By getting out on the political frontlines, in Khachigianโ€™s view, a budding speechwriter can directly experience how candidates accomplish two important goals. The first is how candidates use messages in their speeches and statements to connect with and politically mobilize local constituencies; and the second is how these messages also help drive โ€œthe daily news cycle [and] cater to the mediaโ€™s need for lead stories and sound bites.โ€

Khachigian also warns speechwriters about an occupational hazard awaiting them. He refers here to the โ€œpower seekersโ€ who can show up in any political office, ready to ferociously prospect for ways to increase their own personal glory and influence.  

To keep themselves free from the power seekersโ€™ fixation on factional politics, speechwriters need what Khachigian calls the โ€œphilosophical commitmentsโ€ and โ€œloyaltyโ€ to stay aligned, above all, with the officeโ€™s true top bossโ€”the elected official whose political program the speechwriters have pledged their pens, their personal honor and their best professional efforts.

This is not the typical advice or perspective that experienced speechwriters decide to memorialize for those who will follow them. But then again, based on his impressive length of service in two eventful presidential administrations, Ken Khachigian is far from being a typical political speechwriter.

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